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Through his works, which take the form of material and earthly poems, Ugo Schildge explores the connections between human beings and the natural world, and considers the place we occupy within the ecosystems that sustain us.
His practice began with research into the relationship between image and movement. This led to an early interest in gears, symbols of the Industrial Revolution and of mechanical power. By introducing movement into his works, Schildge seeks to shift our perception of the image and engage the viewer’s imagination.
In his more recent work, nature has gradually become a central concern. His compositions have grown more figurative, while his distinctive lines, choice of materials and references to mechanical systems allow him to explore new forms and relationships between the earth and humankind.
Materials also play an essential role in Schildge’s practice. Honeycomb cardboard, in particular, is incorporated into his visual language, creating distinctive layers, textures and tonal variations. Working primarily with natural pigments, clay, wood and plaster, he moves freely between painting and sculpture, abstraction and figuration, structure and spontaneity.
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Works
